Essays, Reflections & Exhibition Notes
Clarice Ng speaks about the relationship between material permanence and embodied impermanence, the vessel as metaphor, and what it means to work with clay as a medium for remembering.
What does it mean to curate in a city-state where the art ecosystem is young, fast-moving, and constantly negotiating between institutional ambition and grassroots energy?
Singapore's relentless cycle of demolition and rebuilding creates a unique condition for artists. This essay examines how practitioners transform the residue of lost places into enduring creative work.
A recap of our participation in SAW 2026 -- panel discussions, studio visits, and the conversations that shaped our curatorial direction for the year ahead.
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